Blog
Met Opera 2024-25 Review: Aida
New stagings always carry the weight of expectations, but Michael Mayer’s new Aida has the burden of replacing one of the Met’s most beloved productions. This staging had a fairly bumpy road; it was originally scheduled for 2020, but was axed due to corona. Now, it’s finally here, and quite remarkable. Hang on to your amulets!
Met Opera 2024-25 Crítica: Ainadamar
“Eso. Fue. Glorioso,” exclamó una voz anónima detrás mío al momento que el telón cayó la noche del estreno. Sin duda, la combinación de Ainadamar de grandes voces, conmemoración histórica, y explosivo baile flamenco es como nada que alguna vez he visto.
Met Opera 2024-25 Review: Ainadamar
“That. Was. Glorious,” an anonymous voice behind me gushed when the curtain dropped. Indeed, Ainadamar’s genre-fusing combination of great voices, historical elegy, and explosive flamenco dancing is unlike anything I’ve ever seen.
An Interview With Elena Villalón
Fresh off her critically praised Met Opera debut in Orfeo ed Euridice last spring, Cuban-American soprano Elena Villalón now takes on Osvaldo Golijov’s exhilarating Ainadamar. She kindly took the time to answer some questions in between rehearsals.
Opera Is Cool: Debunking Myths
Let’s face it: opera has gotten a bad rap. In reality, opera is one of the most glorious art forms in the world. Come debunk some myths with me! (Hint: it involves Beyoncé.)
Highlights of the Met’s 2024-25 Season
On February 23, the Met Opera announced their 2024-25 season. Notably for nitpicky me, I’m excited for almost everything. It was difficult to choose, but here are the five shows I’m most looking forward to.
