Blog
An Interview With Elena Villalón
Fresh off her critically praised Met Opera debut in Orfeo ed Euridice last spring, Cuban-American soprano Elena Villalón now takes on Osvaldo Golijov’s exhilarating Ainadamar. She kindly took the time to answer some questions in between rehearsals.
Met Opera 2024-25 Review: Les Contes d’Hoffmann
Jacques Offenbach‘s Les Contes d’Hoffmann is opera’s equivalent of The Tortured Poets Department, only 14,592 times better. The music brims with kaleidoscopic vibrancy and the story of Hoffmann’s three loves is delightful, though dizzyingly strange at times.
Opera Is Cool: Debunking Myths
Let’s face it: opera has gotten a bad rap. In reality, opera is one of the most glorious art forms in the world. Come debunk some myths with me! (Hint: it involves Beyoncé.)
An Interview With Erin Morley
Recently, internationally acclaimed coloratura soprano Erin Morley has been piling on triumph after triumph. Erin released her first solo album this April, the floral-themed Rose in Bloom. She kindly spoke to me about her album, feminizing roles, skydiving, and more.
Met Debuts Left This Season
The Met’s 2023-24 season is coming to an end in just over six weeks, but there are still some artists readying to make their debuts. These are the two sopranos and a conductor that Met audiences will meet very soon.
Album Review: Mozart, You Drive Me Crazy!
Golda Schultz’s voice is reminiscent of a vibrant flower opening its petals toward the sun, and Mozart, You Drive Me Crazy! is an exquisitely juicy album from one of the world’s most exquisite sopranos.
