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Met Opera 2024-25 Review: Aida
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Aida

New stagings always carry the weight of expectations, but Michael Mayer’s new Aida has the burden of replacing one of the Met’s most beloved productions. This staging had a fairly bumpy road; it was originally scheduled for 2020, but was axed due to corona. Now, it’s finally here, and quite remarkable. Hang on to your amulets!

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Met Opera 2024-25 Crítica: Ainadamar
Español Violette Leonard Español Violette Leonard

Met Opera 2024-25 Crítica: Ainadamar

“Eso. Fue. Glorioso,” exclamó una voz anónima detrás mío al momento que el telón cayó la noche del estreno. Sin duda, la combinación de Ainadamar de grandes voces, conmemoración histórica, y explosivo baile flamenco es como nada que alguna vez he visto.

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Met Opera 2024-25 Review: Ainadamar
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Ainadamar

“That. Was. Glorious,” an anonymous voice behind me gushed when the curtain dropped. Indeed, Ainadamar’s genre-fusing combination of great voices, historical elegy, and explosive flamenco dancing is unlike anything I’ve ever seen.

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Highlights of the Met’s 2024-25 Season
Violette Leonard Violette Leonard

Highlights of the Met’s 2024-25 Season

On February 23, the Met Opera announced their 2024-25 season. Notably for nitpicky me, I’m excited for almost everything. It was difficult to choose, but here are the five shows I’m most looking forward to.

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Met Opera 2023-24 Cinema Review: Carmen
Violette Leonard Violette Leonard

Met Opera 2023-24 Cinema Review: Carmen

This was one of the best-sung Carmens in recent memory, vocally stupendous and visually thoughtful, with Carrie Cracknell offering a much-needed modern critique of the power imbalance between men and women.

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